Research Seminars
Active Music Listening Interfaces Based on Music-Understanding Technologies
Masataka Goto
National Institute of Advanced Industrial Science and Technology
(AIST), Japan
30 June 2008, 14:00, Room 105
Abstract
People who can actively interact with music have traditionally been considered
musicians in the sense that ``actively'' implies the creation
of music. On the other hand, ordinary people have been just listeners
who could interact with music only passively. When the recording
of music to audio storage media became a reality, however, some
people started interacting with music in more active ways, for
example, by specifying the playback order of songs or adjusting
frequency characteristics by using tone controls. Recent advances
in computer and music-understanding technologies will further
affect how people interact with music.
In this talk, I will introduce our research aimed at building ``Active Music
Listening Interfaces'' [M. Goto, Proc. of IEEE ICASSP 2007] to
demonstrate the importance of music-understanding technologies
and the benefit they offer to ordinary people (end users). Given
polyphonic sound mixtures taken from available music recordings,
our interfaces enrich end-users' music listening experiences
by applying our automatic music-understanding technologies based
on signal processing. In this research, ``active'' does not mean
the creation of new music, but any active experience that is
part of enjoying music.
For example, our active music listening interface
with a chorus-search function, "SmartMusicKIOSK" [M. Goto, IEEE Trans. ASLP, Vol.14, No.5, 2006], enables a user to skim rapidly
through a musical piece by easily skipping sections of no interest
while viewing a visual representation of music structure. During
the playback of a song, "LyricSynchronizer" [H. Fujihara et al., Proc. of IEEE ISM 2006] with a lyrics synchronization function
displays scrolling lyrics and highlights the phrase currently
sung. A user can easily follow the current playback position
and click on a word in the lyrics to listen to it. By suppressing
drum sounds and adding other drum sounds, "Drumix" [K. Yoshii et al., IPSJ Journal, Vol.48, No.3, 2007] with a drum-sound
recognition function enables a user to change the volume and
timbre of drum sounds and rearrange rhythmic patterns of these
drum sounds during playback.
Bio
Masataka Goto received the Doctor of Engineering degree from Waseda University,
Japan, in 1998. He is a Senior Research Scientist of the National
Institute of Advanced Industrial Science and Technology (AIST),
Japan. He serves concurrently as an Associate Professor of the
University of Tsukuba since 2005 and a Visiting Associate Professor
of The Institute of Statistical Mathematics since 2008. He received
22 awards, including the Commendation for Science and Technology
by the Minister of Education, Culture, Sports, Science and Technology "Young Scientists' Prize" in 2008, DoCoMo Mobile Science Awards "Excellence Award in Fundamental Science" in 2007, and IPSJ (The Information Processing Society of Japan) Best Paper Award
in 2005.
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